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arXiv cs.CL· Francesco Vitucci, Giuseppe Silvi, Francesco Abbrescia, Anthony Di Furia, Francesco Scagliola·· 12 小时前AI 评分18

从《Convergence》到《In Human Memories》:AI 如何成为作曲的创作参与者

In Human Memories. Technology, Creativity and Self-Determination: An Ethical Proposal

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研究以 Alexander Schubert 的《Convergence》(2020/21)和 Francesco Vitucci 的《In Human Memories》(2024)为案例,考察 AI 在现代作曲实践中的角色。

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Abstract:This research investigates the role of artificial intelligence (AI) in modern compositional practices, with a particular focus on two case studies: Convergence (2020/21) by Alexander Schubert, for String Ensemble and AI System, and In Human Memories (2024) by Francesco Vitucci, for four cellos and one electroacoustic player, whose installation was created by the Electronic Music School of the "N. Piccinni" Conservatory of Bari. The initial historical survey traces the evolving use of technology in composition, revealing how the search for new expressive possibilities has driven the development of technological tools through experimentation. The appearance of AI marks a fundamental shift: no longer just a tool, AI now poses questions and challenges to the composer. Engaging with AI becomes an exploration of an unknown entity, whose full capabilities are still largely undiscovered. This new interaction leads composers to confront AI not merely as a passive resource but as a participant in the creative process, outlining an ethical path to reclaim technology as a creative tool. In Human Memories reflects this dynamic, demonstrating how AI can serve as both inspiration and a driving force in shaping contemporary music.
Comments: 19 pages, 7 figures. English translation of the article originally published in Italian in Ex Chordis, vol. 3 (2024), pp. 15-38. The Italian original is the version of record
Subjects: Computation and Language (cs.CL)
ACM classes: H.5.5; I.2.7; J.5
Cite as: arXiv:2610.23651 [cs.CL]
  (or arXiv:2610.23651v1 [cs.CL] for this version)
  https://doi.org/10.48550/arXiv.2610.23651

arXiv-issued DOI via DataCite (pending registration)

Journal reference: Ex Chordis. Rivista di Cultura, Ricerca e Didattica degli Strumenti ad Arco 3 (2024), 15-38 (Italian original)
Related DOI: https://doi.org/10.54103/3034-8781/26627

DOI(s) linking to related resources

Submission history

From: Francesco Vitucci [view email]
[v1] Fri, 16 Oct 2026 15:48:09 UTC (2,427 KB)

来源:arXiv cs.CL · arxiv.org